Is Compressor taking too long to encode? Here are some tips to speed it up.
Buying a monitor for imaging work generally represents a significant investment. But it's an investment definitely worth making if you care about image quality.
Het duurde twee jaar voordat de upgrade van Apple's edit suite voor professionals het licht zag: Final Cut Studio 3. (artikel)
Always color correct to broadcast safe. The use of a standard Broadcast Safe filter on everything works, but is a bit like using a sledgehammer to give a haircut. Instead tweak the luminance and saturation yourself.
The intermediate codec ProRes, was designed specifically to maintain full colorspace and 10bit workflow throughout the post process allowing Final Cut Pro to finally take its place as a truly professional editing platform. author: Gary Adcock
If you’re animating a parameter in Final Cut Pro, especially motion, try right-clicking and choosing “Ease In/Out” for a much more natural look.
The video scopes help you determine wether your color saturation and luminance are within boundaries for broadcasting on television.
Make use of the motion blur in Final Cut Pro to anything you animate adds a touch of realism. It can add some render time too, but it’s worth it.