01/04/09 13:26 categorie: postproductie
The intermediate codec ProRes, was designed specifically to maintain full colorspace and 10bit workflow throughout the post process allowing Final Cut Pro to finally take its place as a truly professional editing platform. author: Gary Adcock
22/03/09 18:32 categorie: postproductie
The video scopes help you determine wether your color saturation and luminance are within boundaries for broadcasting on television.
22/03/09 23:42 categorie: postproductie
If you’re animating a parameter in Final Cut Pro, especially motion, try right-clicking and choosing “Ease In/Out” for a much more natural look.
02/04/09 23:10 categorie: postproductie
Always color correct to broadcast safe. The use of a standard Broadcast Safe filter on everything works, but is a bit like using a sledgehammer to give a haircut. Instead tweak the luminance and saturation yourself.