01/04/09 13:26 categorie:
postproductieThe intermediate codec ProRes, was designed specifically to maintain full colorspace and 10bit workflow throughout the post process allowing Final Cut Pro to finally take its place as a truly professional editing platform. author: Gary Adcock tags:final cut pro • montage
22/03/09 18:32 categorie:
postproductieThe video scopes help you determine wether your color saturation and luminance are within boundaries for broadcasting on television. tags:montage • color correction • final cut pro
22/03/09 23:42 categorie:
postproductieIf you’re animating a parameter in Final Cut Pro, especially motion, try right-clicking and choosing “Ease In/Out” for a much more natural look.\ tags:animation • compositing • montage • final cut pro
02/04/09 23:10 categorie:
postproductieAlways color correct to broadcast safe. The use of a standard Broadcast Safe filter on everything works, but is a bit like using a sledgehammer to give a haircut. Instead tweak the luminance and saturation yourself.
tags:color correction • final cut pro • broadcast safe • kleurcorrectie • flicker • flikker in beeld • interlaced • flikkerend • beeld
19/03/09 12:51 categorie:
postproductieAls je computerscherm niet professioneel is gekalibreerd, wees dan voorzichtig met de kleurcorrectiefilter in Final Cut Pro. tags:final cut pro • kleurcorrectie
19/02/08 11:37 categorie:
postproductieStrepen in het beeld worden bij downconversion veroorzaakt door interlacing... tags:montage • hdv • z1 • final cut pro • dv • dvd
