01/04/09 13:26 categorie:
postproductieThe intermediate codec ProRes, was designed specifically to maintain full colorspace and 10bit workflow throughout the post process allowing Final Cut Pro to finally take its place as a truly professional editing platform. author: Gary Adcock tags:final cut pro • montage
22/03/09 18:32 categorie:
postproductieThe video scopes help you determine wether your color saturation and luminance are within boundaries for broadcasting on television. tags:montage • color correction • final cut pro
22/03/09 23:42 categorie:
postproductieIf you’re animating a parameter in Final Cut Pro, especially motion, try right-clicking and choosing “Ease In/Out” for a much more natural look. tags:animation • compositing • montage • final cut pro
21/03/09 23:39 categorie:
postproductieMake use of the motion blur in Final Cut Pro to anything you animate adds a touch of realism. It can add some render time too, but it’s worth it. tags:montage
