01/04/09 13:26 categorie: postproductie
The intermediate codec ProRes, was designed specifically to maintain full colorspace and 10bit workflow throughout the post process allowing Final Cut Pro to finally take its place as a truly professional editing platform. author: Gary Adcock
22/03/09 18:32 categorie: postproductie
The video scopes help you determine wether your color saturation and luminance are within boundaries for broadcasting on television.
22/03/09 23:42 categorie: postproductie
If you’re animating a parameter in Final Cut Pro, especially motion, try right-clicking and choosing “Ease In/Out” for a much more natural look.
21/03/09 23:39 categorie: postproductie
Make use of the motion blur in Final Cut Pro to anything you animate adds a touch of realism. It can add some render time too, but it’s worth it.