01/04/09 13:26 categorie:
postproductieThe intermediate codec ProRes, was designed specifically to maintain full colorspace and 10bit workflow throughout the post process allowing Final Cut Pro to finally take its place as a truly professional editing platform. author: Gary Adcock tags:final cut pro • montage
22/03/09 18:32 categorie:
postproductieThe video scopes help you determine wether your color saturation and luminance are within boundaries for broadcasting on television. tags:montage • color correction • final cut pro
22/03/09 23:42 categorie:
postproductieIf you’re animating a parameter in Final Cut Pro, especially motion, try right-clicking and choosing “Ease In/Out” for a much more natural look.\ tags:animation • compositing • montage • final cut pro
21/03/09 23:39 categorie:
postproductieMake use of the motion blur in Final Cut Pro to anything you animate adds a touch of realism. It can add some render time too, but it’s worth it. tags:montage
22/03/09 10:12 categorie:
postproductieGreat video tutorials for editing, filming and more, and most of them for free. tags:montage • tutorial
19/02/08 11:37 categorie:
postproductieStrepen in het beeld worden bij downconversion veroorzaakt door interlacing... tags:montage • hdv • z1 • final cut pro • dv • dvd